MASS MEMO | 2025

As a first-timer to anything related to RMIT, this was my first encounter with Sean Godsell’s Design Hub.” — Sage Ardona.

In the midst of the bustling energy of the SCA’s New Contemporaries opening reception, I found myself looking for a place to slow down.” — Soomin Jeong.

A new WeChat message pops up as I reach the Sydney College of the Arts.” — Lige Qiao.

UNSW Galleries feels haunted.” — Nic Narapiromkwan Foo.

Black bird netting forms a semi-permeable canopy above the courtyard of the Old Teachers’ College (turned Sydney College of the Arts campus).” — Mei Lin Meyers.

The seasons are changing and I’m thinking about temperature - slow-cooking, simmering, burning to a crisp.” — Belle Beasley.

Creative practices that engage with lived experience operate as vital forms of record-keeping, documenting history, transcribing internal thought processes and memorialising emotions.” — Danielle El-Hajj.

In the ominous space of UNSW’s “Black Box”, Delaram Sarjami has assembled a bittersweet tribute to Iranian and Afghani needlework.” — Leighlyn Aguilar.

I’m surrounded by the vestiges of unfamiliar landmarks.” — Stella Eaton.

There is a horror in the near-far hometown, an eerie familiarity that comes from an intimate attachment to place, memory, and belonging.” — Wawe Ransfield.

Gentrification haunts Australia’s financial capital.” — Levent Can Kaya.

Across the RMIT graduates’ work, subjectivity is explored less as a personal confession and more as a way of finding one’s bearings.” — Anna Cunningham.

Faithful to his washed-up hippy persona, American artist Charles Ray loves to rehash the same hoary anecdotes throughout his lectures and writings.” — Amelia Scholes Gill.

“Celebrate the future of design” is the subtitle of the 2025 MSDx Summer showcase, appearing on both wayfinding panels scattered throughout the Glyn Davis Building and the broader university campus, foregrounding the exhibition’s future-oriented student work.” — Lachlan Hartnett.

The NAS grad show is on home turf, in the old Darlinghurst Gaol.” — Sky Zhou.

I’ve caught you red-handed—neck craned, thumbs twiddling, primed to scroll.” — Maeve Sullivan.

I was in a post-flu fog as I whirled through RMIT’s five-floors of grad shows.” — Justine Walsh.

A bedroom secret nearly escapes, a meal is plated and forgotten fabric begins to mould at the MADA grad show.” — Tilda Njoo.

What came first, the egg or the orgasm? At the National Art School graduate show, sculpture artists Sarah Parker, Eleni Ioakimidis and Mia McCall engage the body of the viewer in a manner that is at once anxious, erotic and deliriously playful.” — Bineeta Saha.

I did not expect Monash Grad Show to change the way I see the world.” — Eadie Rule.

I’m at the MADA Grad show on a Saturday and the studios are deserted, but I’m grateful for the solitude.” — Ava Lawton.

Transfixed by ancestral voices, I am ushered towards Justine Walsh’s installation Listening, Singing in the Half-Light (2025).” — Giulia Lallo.

Photographs can be portals.” — Erin Barwood.

Amelie Thompson, Kitt Falkner Babbel and Alex Pug Williams invite an unexpected question: what do pigeons reveal about the way we see, and sometimes overlook, the world around us? Falkner Babbel’s dazzling pigeon puzzles, Thompson’s crooked bird-like legs, and Williams’ web of found objects foreground how human perception, creativity, and intervention shape our understanding of the natural and constructed world.” — Amélie Blanc.

NAS likes it hard.” — Hannah Vlies Lawrence.

In a small antechamber; Francesca Havelock’s work, lucky charms and a tireless repetition (2025) catches me like a trick.” — Victoria Mathison.

Australia is veering wildly off course in meeting its 2030 and 2035 climate targets as policy fails to regulate fossil fuels, sprawl, and consumption.” — Charlotte Schaller.

I like when a painting challenges me—when it lures me in with swatches of colour, abstract forms and spatial orientations that require careful contemplation.” — Alexandra Banning-Taylor.

I’ve heard a rumour that some UNSW Honours students live in their studios.” — Miranda Collins.

Bachelor of Fine Art, National Art School by Sky Zhou

Photography, Victorian College of the Arts by Erin Barwood

Bachelor of Fine Art, Monash Art, Design and Architecture by Eadie Rule

Drawing and Printmaking, Victorian College of the Arts by Stella Eaton

Bachelor of Fine Art (Honours), UNSW Art & Design by Nic Narapiromkwan Foo

Bachelor of Fine Art, Monash Art, Design and Architecture by Ava Lawton

Monash Architecture, Monash Art, Design and Architecture by Charlotte Schaller

Melbourne School of Design (Architecture), The University of Melbourne by Lachlan Hartnett

Bachelor of Visual Arts, Sydney College of the Arts by Soomin Jeong

Honours, Monash Art, Design and Architecture by Wawe Ransfield

Sculpture, National Art School by Bineeta Saha

Sculpture, Bachelor of Visual Arts, Sydney College of the Arts by Mei Lin Meyers

Painting, Victorian College of the Arts by Alexandra Banning-Taylor

Bachelor of Fine Arts, Bachelor of Fine Arts (Honours), UNSW Art & Design by Leighlyn Aguilar

Bachelor of Fine Art, Master of Fine Art, UNSW Art & Design by Maeve Sullivan

Fine Art, RMIT by Anna Cunningham

Sculpture, Victorian College of the Arts by Amelia Scholes Gill

Bachelor of Fine Art (Honours), Monash Art, Design and Architecture by Victoria Mathison

Fine Art, RMIT by Justine Walsh

School of Architecture, RMIT University by Sage Ardona

Bachelor of Visual Arts, Sydney College of the Arts by Levent Can Kaya

Bachelor of Visual Arts, Sydney College of the Arts by Lige Qiao

Honours, Victorian College of the Arts by Danielle El-Hajj

Bachelor of Fine Art (Honours), UNSW Art & Design by Miranda Collins

Honours, Victorian College of the Arts by Amélie Blanc

Bachelor of Fine Art, Monash Art, Design and Architecture by Tilda Njoo

Bachelor of Fine Art (Honours), Monash Art, Design and Architecture by Belle Beasley

Bachelor of Fine Art (Honours), Monash Art, Design and Architecture by Giulia Lallo

Bachelor of Fine Art, National Art School by Hannah Vlies Lawrence

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